Italia Offshore: L’Espresso on newsstands and online from Sunday 10 October


Famous, rich and glossy: it is the discovered Italians who hide their wealth abroad. On the cover of the new Espresso issue, in an artwork by Alessio Melandri, VIPs and protagonists of the world of football stand out: from Ancelotti to Vialli, from Bellucci to Raiola, celebrities who appear in the Pandora Papers investigation files, published exclusively for our country by Express.

The new episode of the analysis of the files that reveal who has hidden money in tax havens ranging from the Virgin Islands to Delaware is signed by Paolo Biondani, Vittorio Malagutti and Leo Sisti. In this story that unites the coach of the National team Roberto Mancini with Princess Maria Gabriella of Savoy (not to mention the Legionaries of Christ), L’Espresso gave everyone the opportunity to justify themselves: many, however, preferred not to answer.

Meanwhile, politics is dealing with the electoral results: where the record abstention stands out, a fact that, underlines Marco Damilano in his editorial, should worry especially on the left. But perhaps the parties are too busy in the maneuvers of the Palazzo to realize the danger: between the two Letta, uncle and nephew, who pull Mario Draghi towards the Quirinale or try to block him at Palazzo Chigi (by Carlo Tecce) and Giorgia Meloni who ( writes Susanna Turco) the future is being played in Rome as a leader of the center-right (and Makkox hypothesizes his showdown with Michetti).

Marco Follini praises Giorgetti who sings outside the League’s choir, Sofia Ventura analyzes the “fluid consensus” that explains the sovereign flop in the elections. And from Germany Roberto Brunelli and Stefano Vastano update the reader on the German post-electoral labyrinth.

A new frontier of the underworld unites the north-east and China: Antonio Fraschilla and Luana De Francisco reconstruct the network of fake cards and sacks of banknotes involving companies from Veneto, Chinese entrepreneurs and banks in Beijing. And Gloria Riva explains why, according to a Caritas study, citizenship income leaves out many poor families in the north.

Altan shames the incorrigible fascist, Biani draws the solitude of the voter, and while Michela Murgia analyzes the loss of the world without WhatsApp, Michele Serra discusses tweets and toot, lalalà and big-pip. Elvira Seminara, on the other hand, invites you to meditate on the word of the week: good.

And L’Espresso closes with four interventions on the new ways of the novel (by Giuseppe Culicchia, Wlodek Goldkorn, Gilda Policastro and Evelina Santangelo), an invitation to save democracy by focusing on emotions (in Anna Bonalume’s conversation with Pierre Rosanvallon) or defending institutions (in the intervention of Roberto Esposito) and a double journey among prisoners: to the cinema (with the film “Ariaferma” told by Fabio Ferzetti) and in reality (the reportage from Rems, the residences for inmates with psychiatric problems, Marialaura Iazzetti).

And while in the US new laws are born to protect women from sexual abuse (by Manuela Cavalieri and Donatella Mulvoni), the Mexican writer and screenwriter Guillermo Arriaga explains to Sabina Minardi that the violence of her works is not just fiction: “We are all sitting on a throne of blood: because the human race destroys ».


Source: L'Espresso – News, inchieste e approfondimenti Espresso by espresso.repubblica.it.

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